Check this very cool action short directed by Justin Lutsky and starred by Patrick Warburton called The Action Hero’s Guide to Saving Lives.
“How
does John McClane always get it right? You know… the perfect timing as he
barrel rolls from a speeding car? The astonishingly accurate barrage of bullet
fire to clear out a room full of thugs? Or, best of all, leaving just enough
time to deliver a pithy one-liner right before he takes out the bad guy in the
black hat? Well, if The Action Hero’s Guide to Saving Lives is any indication,
Mr. McClane learns from experience. Literally.
Serving
as a sort of Groundhog Day for the trigger-happy set, The Action Hero’s Guide
is a clever and humorous pastiche of action movie cliches—from stock character
archetypes to pun-filled wordplay (there’s even a few Wilhelm Screams thrown in
for good measure). Our hero, the conveniently named Ace Mulligan, must stop the
bad guys and save the girl before it’s too late. And, as he sets out to
complete his mission with all the prerequisite heroic machinations, he realizes
that sometimes the most hackneyed choice isn’t always the right one.
Guide’s
“in-your-face” form of satire works well in the short form. The movie isn’t
subtle, but really, it isn’t meant to be. Our hero is played by Patrick
Warburton (that’s Puddy from Seinfeld for those of you playing at home), and he
is perfectly cast as the cocky badass who can do no wrong. With each iteration
of the story, he masterfully poses and snickers for the camera, completely
self-aware of the role he is expected to fill. As is the case with all typical
Hollywood action movies, we know our leading man can’t fail. This time, however,
we get the unexpected treat of seeing him try and try again until he gets it
right. The idea may predominately be played for laughs, but at the same time,
the film is slyly winking at the audience. Ace isn’t the only one who’s been
here before; with decades of blockbuster tropes under our belts, so have we.
Helmed
by commercial director and On the Lot alum, Justin Lutsky, the film is shot
with a glorious big-budget sheen on micro-budget specs. The highly saturated
color palette and prominent lens flares would be at home in any summer
multiplex, as would the kicking retro score. And, while the film’s gimmick
begins to get a little tired towards the end, it’s hard not to admire the sheer
amount of creativity that Lutsky and his crew have put into such a quickly made
and polished passion project.
So,
Yippee-ki-yay, fellow short film watchers. Grab some popcorn and sit tight. Ace
Mulligan is on the case.”
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