In the recent spoiler-filled appearance on the Empire
Podcast, Godzilla director Gareth Edwards shared some of the secrets from the
Godzilla reboot.
The director revealed that there is a Mothra easter egg in the movie, and if you haven't
seen it yet you better stop reading.
SPOILER // WARNING // SPOILER //
WARNING // SPOILER
SPOILER // WARNING // SPOILER //
WARNING // SPOILER
"In the classroom, when there’s the power cut,
they’re watching a video about how a cocoon hatches on the TV when it cuts
off," he said, "and on the walls there are the lifecycles of butterflies."
Writer/director Frank Darabont,
also has a scene he developed in the movie:
"about two or three months before we started
filming", according
to Edwards. "A lot of his work remains in the film, but a big part of it is when
the doors close on Juliette Binoche; this whole idea that there’s a gateway or
a check point they have to get through, and that it would close, and you would
see her die, and we’d have that very emotional moment. That was his biggest
contribution. It’s the emotional peak of the film, potentially."
Bryan Cranston's character, is killed off to make way for his son, played by Aaron Taylor-Johnson.
"I’ll be honest with you: we tried versions in
the screenplay where he survived. And in every one we did that with, there was
nothing else that character could do without being silly. If he sticks with
Ford, it becomes Indiana Jones and The Last Crusade, and the
tone of the movie becomes fun, but not the tone we were trying to do. And if he
sticks with the military guys, he’s like a fifth wheel. His job was done in the
storyline there. And retrospectively, when you get to see the movie, I
understand [why people are upset]."
One of the most crowd-pleasing moments in the film was the titular monster's use of atomic breath.
"At one point we dabbled with lightning, to
make it a little bit more to do with nature, in terms of God-like
destruction," Edwards explained. "But it was considered not enough like classic
Godzilla. And that moment, actually, working out how we were going to kill the
M.U.T.O., we made a last-minute decision: 'What if he just pulls apart [the M.U.T.O.’s jaws]?' We were going to just break
the jaws, and it felt like that was too much like King Kong. 'So what if he
just vomits blue breath? Nearly a kiss?' We thought we weren’t going to get
away with it. 'This is absurd,' we thought. And then we sat and did a test
screening and it was everyone’s favourite moment."
Check out the full interview below.
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