F Franck Khalfoun Talks Maniac And Elijah Wood | Galactic News One

Franck Khalfoun Talks Maniac And Elijah Wood

During the press day for his new film, Maniac, director Franck Khalfoun talked to collider about working with Elijah Wood and updating the stalking genre.
Maniac stars Elijah Wood and Nora Arnezeder

“Jumping into Maniac, tell me a little bit about the decision to cast Elijah.  Did you always want to go with an actor that has kind of a nice-guy reputation?
KHALFOUN: Yes, I always thought that for me the unassuming, friendly looking guy next door is certainly scarier as a monster than the monsterish looking predator, because he can lure people in, it’s easier.  For me the Ted Bundy type is the scariest type of serial killer because they’re charming, they’re smart, they’re good looking, and it’s deadly.  It’s absolutely deadly.  Obviously, look, the process of finding an actor is always difficult and there’s always so many variables that come into play, but when Alix Taylor, one of the producers, mentioned him and had a relationship with him I immediately thought of those eyes, those blue eyes and how kind they are, really.  If that can do evil then there’s no stopping anyone, it’s possible in anyone.  Also, actors sometimes carry baggage, fans associate actors with certain parts, and if they were ever going to do that with Elijah it would be great because we would destroy all that and they would have this feeling that this is a nice guy.  I think predominantly he has a pretty good image out there.  Somebody said to me after a screening, “I feel like I just watched my puppy get run over by a car.”  And I said, “That’s great.  I understand exactly what you mean.”
For me the scares came out of a bit more of a mental place than a visceral reaction, especially because I’m a woman living in L.A., it was very scary for me to see the simple and realistic way he would kind of find his victims.
KHALFOUN: The stalking.

Yes – the online dating, coming out of the club, public transit, it’s all very relatable.  So how much thought did you put into the ways that he would stalk them and sort of prey on them?
KHALFOUN: Obviously the online thing is more modern, something from today.  Then just driving around stalking from your van is a throwback to how it was done in the 80’s, back in time.  I wanted to have a little bit of everything.  I love what he says in the beginning when he’s moving on to the next victim online he says, “It’s my first time online,” which is what everybody says when they’re dating online, “I don’t do this.  It’s my first time.”  So that made it that much scarier, because everybody who’s ever been on those sites has got the “I don’t usually do this.”  Everybody says it, so be careful who that person is.
Since Elijah’s on camera time was so little did you expect him to be as involved as he was?
KHALFOUN: Yes.  I mean, it wasn’t required of him, but I expect all good actors to be involved more than what they are contractually involved in.  Some don’t care, some are good.  I expected Elijah – I heard that he was a great guy and really made me like actors again.  When you’re able to get an actor of Elijah’s caliber in a film of this budget it’s because maybe you don’t need him the whole time, he can just do a few days here and there, and since we had a POV concept it was possible that he could just come in for those moments where you see his reflections and stuff.  I think he quickly realized that his character was going to live through the other characters and if he wasn’t there to deliver lines and participate that his character might suffer ultimately.  So even though he was contracted to be there for a few days he came every day and was ready to go.  He was very, very gracious in that manner and that really is a big reason, I think, that the movie functions, that its successful, is because he was every day he was there contributing. 
…”

Plot Summary:
“Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank (Elijah Wood) is the withdrawn owner of a mannequin store, but his life changes when young artist Anna (Nora Arnezeder) appears asking for his help with her new exhibition. As their friendship develops and Frank's obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill. A 21st century Jack the Ripper set in present day L.A., Franck Khalfoun's "Maniac," produced by Alexandre Aja ("The Hills Have Eyes," "Haute Tension"), and composed by Rob of the band "Phoenix," is a re-boot of the William Lustig cult film considered by many to be the most suspensseful slasher movie ever made - an intimate, visually daring, psychologically complex and projoundly horrific trip into the downward spiralling nightmare of a killer and his victims.“
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