Hey check out this powerful teaser trailer for Cinzia Angelini’s Mila. It’s is beautiful punch to the gut that tells the story of the children who suffered as a result of World War II. Angelini brings the story of her grandmother and mother to the spotlight by embedding them in a little girl, Mila.
Angelini
is an accomplished animator and visual effects artist who worked on such films
as “Prince of Egypt”, “Eldorado”, “Spirit” and “Sinbad” (Dreamworks),
“Spider-man 2” (“Best Visual Effects” Oscar Winner, 2004) and “Open Season”
(Sony Imageworks), “Meet the Robinsons” and “Bolt” (Walt Disney Animation
Studios).
“MILA”
is a CG animated short that presents the most tragic collateral damage of War –
civilians, as its theme. Though often overlooked and rarely mentioned by the
media, civilians are the first to be hit, and the last to be remembered.
Inspired
by true stories that my mother and grandmother told me growing up, “Mila” is
about a little girl caught in the middle of War.
Whether
they experienced such tragedy first hand, grew up hearing the stories from
relatives, elders or friends (as I did), or simply turned on the news – the
story draws in both young, and adult viewers. The tragedy of War unfortunately
did not end with the children of World War II. Even today, children continue to
suffer from the ravages of conflict in many places around the world. It is
their current plight that moves me.
What
I envision as the look of this short is best described as “painterly
rendering.” After extensive research, it is clear that the look of CG can be
pushed in a new direction. It’s possible to create CG painterly characters, in
a painterly environment, with matching effects and lighting. While this
involves a great amount of R&D, the promising result can be seen in the
teaser. Non Photorealistic Rendering (NPR) offers exciting, new opportunities in
expression. I believe that an animated short on the unspoken casualties of War
is a great opportunity to send a strong, meaningful, and artistic message.
In
the field of animation for the last eighteen years, Cinzia Angelini worked as
an animator in productions involving traditional as well as computer animation.
She worked on feature films such as “Balto” (Amblimation), “Prince of Egypt”,
“Eldorado”, “Spirit” and “Sinbad” (Dreamworks), “Spider-man 2” (“Best Visual
Effects” Oscar Winner, 2004) and “Open Season” (Sony Imageworks), “Meet the
Robinsons” and “Bolt” (Walt Disney Animation Studios). Cinzia recently worked
for Duncan Studio on the “How to Train your Dragon” DVD Special. She is also
working on two animated shorts, “Mila” and “Rhinos”, and illustrating
Children’s books.
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