F Joe Manganiello Talks True Blood, Magic Mike 2 And His Book | Galactic News One

Joe Manganiello Talks True Blood, Magic Mike 2 And His Book

During a phone interview to Collider, actor Joe Manganiello talked about his reaction to the end of the current season of True Blood, his character, the Magic Mike sequel and his book.

“Collider:  Obviously, you can’t reveal details of the finale, but what was your initial reaction when you read the script?
JOE MANGANIELLO:  The finale is pretty crazy.  Reading it, my brain switched into seeing it the way that a fan would see what we’re doing.  I was very shocked.  I know this was something the writers that have remained with the show in Alan Ball’s wake have been wanting to do for a long time.  It’s pretty exciting.
How does Alcide feel about where things are at now?
MANGANIELLO:  Unfortunately, I think they’re exactly what he expected.  I think there’s a reason why he never took an active role in a pack.  He’d been a pack member before, but there was a reason why he left that life.  I think this is what he was afraid was gonna happen and, sure enough, it is happening.  After killing three successive pack masters, he finally decided, “Okay, I’m gonna do something different and take it over, rather than walk away from it.”  But yeah, it’s a complete mess.  Werewolves are, for the most part, pretty terrible people.  There’s a reason why he continuously chooses non-werewolf people over his own kind. 

At this point, is Alcide feeling like the pluses of being pack master don’t really outweigh all of the minuses?
MANGANIELLO:  Yeah!  I think most werewolf women that he has run into have been pretty manipulative and deceitful.  As far as perks go, the sexual perks come with a price.  They’re very self-seeking.  It’s not like they’re for free or for fun.  And at the snap of a finger, that same person is going to turn on him.  Rikki (Kelly Overton) completely turned on him, on a dime.  It sucks.  What’s good about being pack master, other than the three-ways?!
The vampires have been in danger much more so than any of the other supernatural beings this season.  Will things heat up for the werewolves?
MANGANIELLO:  You had this little girl who’s a werewolf, and both of her parents are dead – one at the hands of Alcide and the other because of the Vampire Authority shift that Luna did.  Now, she would have gone with her next of kin, which would be her grandma, but there were no police and you couldn’t have a custody battle.  The authorities couldn’t be alerted because werewolves live in secrecy.  So, Alcide is doing something like what the mafia would do, which is to serve as the police for people who can’t go to the police.  He brought the girl back to her grandma.  From there, Alcide is going to carry out the law for people who cannot go to the law.  Alcide wants all the wolves in that compound, under one roof, and that’s related to all of the vampire craziness that’s gone on.  I think it has trickled down.  There’s a level of paranoia, and he’s acting accordingly.  There are new rules for werewolf society, right now.
Whether it’s True Blood or Magic Mike, if you have to strip down on camera, does it at least help that you’re not the only one who has to do it?
MANGANIELLO:  At this point, I don’t care.  It really doesn’t bother me.  Once you’re the semi-naked guy in a room full of 200 women who aren’t, nothing phases you after that.  You’re completely fine with it.

Because the movie did so well, there’s been talk of a Magic Mike sequel.  Could you ever have expected the film would have been that successful, and is that something you’d like to be involved with?
MANGANIELLO:  When we started filming, yes.  When I first read the script, no.  But once we started filming, and all the guys got together and we started seeing each other’s routines, we had a strong feeling that we were doing something pretty special.  Magic was happening.  We thought, “Something is going to happen with this.”  And sure enough, there were studios that came every single day, the week that we were all doing those dance routines, and there was a bidding war that started over the movie.  And when Warner Bros. stepped up and bought it, and planned to release it as their 4th of July movie, we had a pretty good idea.
That’s when we started talking about doing a sequel.  So, it doesn’t surprise me, at all.
We thought it was going to do well in the theater, but none of us expected it to have the opening weekend it did.  It far exceeded anything, any of us could have imagined.  Would I like to do a sequel?  I’ve never laughed so hard, in my life, when I was working on that movie.  It was about as much fun as I’ve ever had at work.  I love those guys.  Matt Bomer is like my brother.  Channing [Tatum] and Kevin Nash and Adam [Rodriguez] – I love those guys.  To get to go hand out with those guys again would be amazing.  But, I’ve gotta see a script first and a director.  There’s a lot to be figured out between now and then, but it sounds like they’re trying to figure it out.  I would love to work with those guys again.

What made now the right time to have a book come out?
MANGANIELLO:  I was approached to do the book.  It was an incoming call.  It wasn’t something that I had sought out.  I had certainly thought about it because there’s been such an overwhelming interest, over the years, in what my work-out is.  My trainer gets bombarded with questions and requests, and it just seems like everyone is really, really interested in what I do when I work out.  It was something I had definitely thought about and talked to my trainer about, but it was not something that I had pursued.  So, I got an incoming call to do it, and the examples that I was given, as far as work-out books go, I went and started researching them.  They were basically these glossy PR tools, where the inside material was obviously outsourced to someone else, so that the celebrity could sit back, slap on some shirtless pictures and sell it. 
I wasn’t interested in doing anything like that.  I wasn’t interested in putting my name on something like that.  That really contributes to a fitness industry that is based in fear, and it’s all about scaring people into buying some miracle diet or some miracle work-out with some ridiculous timeframe on it.  That’s basically just designed to sell people a bunch of crap that they don’t need, and I didn’t want to do that.  I told the publishers, “Give me two weeks, and let me put together an outline of what I want to say in the book and what I want to write, and I’ll come back to you and you can tell me, if you want to make that book.”
So, I went back to them in about two weeks and they actually doubled my advance, so that I could make sure that I did it the right way.  I got the right photographer.  I got my trainer on board to design the work-out.  I consulted with the best fitness mind and fitness writer on the planet.  Rather than write this glossy PR thing that’s designed to sell pictures, I made the book that is meant to stand on the shoulders of Arnold Schwarzenegger’s Encyclopedia of Bodybuilding.  In fact, Arnold is endorsing it to the point that he wrote the forward, which is cool.  We’re rewriting and revisiting the rules of fitness.  It’s where we are today.  It’s the cutting edge guide for everything you need.  I’m actually really, really proud of it because it’s something that needs to be in the marketplace.  We’re looking to change the game with it.
Have you given any thought about the direction you want to take your career in, once True Blood is finished?
MANGANIELLO:  Oh, of course!  There are a few different components to that, as evidenced by this past year.  My brother has been a producer for the past eight years.  He’s worked in music, television and film, so he runs the day-to-day of our company.  We have a slate of original material that we own, that’s being developed right now.  We’re getting that stuff ready for once the show is over.  So, there will be a huge component of producing and acting that goes along with that.
I want to continue to work with good directors.  That’s really my only thing.  I was fortunate enough to work with Sam Raimi, and then Alan Ball, and then David Ayer.  There are certainly some other directors, who I’ve met with over the years, that I didn’t get to work with because of my schedule on True Blood.  While that’s frustrating, to an extent, it’s also exciting because I’ve gotten recognition by those people, for my work on the show.  I’m looking forward to working with all those directors and being able to work on all those projects that I haven’t had time to do.  And at some point, I’d like to get to Broadway and do a Broadway show.  I’ve been talking for years about doing that, but that doesn’t work with my True Blood schedule either.
Share on Google Plus
    Blogger Comment
    Facebook Comment

0 Comments:

Post a Comment